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The invention of creativity : modern society and the culture of the new
Edité par Polity. Cambridge, Malden, Mass. - 2017
- Type de document
- Livres empruntables
- Langue
- anglais
- Descr. physique
- x, 310 pages ; 24 cm
- Sujets
- Note générale
- Includes bibliographical references and index
- Résumé
- "Be creative! Contemporary society has seen an unprecedented rise in both the demand and desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal model for culture. More than that, it has become an imperative. In this new book, cultural sociologist Andreas Reckwitz investigates how the ideal of creativity has grown into a major social force, from the art of the avant-garde and postmodernism to the" ?creative industries?" and the innovation economy, the psychology of creativity and self-growth, the media representation of creative stars and the urban design of" ?creative cities?". Where creativity is often assumed to be a force for good, Reckwitz looks critically at how this imperative has developed from the 1970s to the present day, seeing it not as emancipatory, but rather as a very specific social and cultural phenomenon. Though we may well perceive creativity as the realisation of some natural and innate potential within us, it is far more a product of our surroundings, an attribute we find ourselves systematically admonished to develop and one which we fervently and compulsively desire to possess. The Invention of Creativity is a bold and refreshing counter to conventional wisdom that shows how our age is defined by radical and restrictive processes of social aestheticisation. As such it will be a valuable contribution to those working across disciplines, from cultural and social theory to art history and aesthetics"
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"Be creative! Contemporary society has seen an unprecedented rise in both the demand and desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal model for culture. More than that, it has become an imperative. In this new book, cultural sociologist Andreas Reckwitz investigates how the ideal of creativity has grown into a major social force, from the art of the avant-garde and postmodernism to the" ?creative industries?" and the innovation economy, the psychology of creativity and self-growth, the media representation of creative stars and the urban design of" ?creative cities?". Where creativity is often assumed to be a force for good, Reckwitz looks critically at how this imperative has developed from the 1970s to the present day, seeing it not as emancipatory, but rather as a very specific social and cultural phenomenon. Though we may well perceive creativity as the realisation of some natural and innate potential within us, it is far more a product of our surroundings, an attribute we find ourselves systematically admonished to develop and one which we fervently and compulsively desire to possess. The Invention of Creativity is a bold and refreshing counter to conventional wisdom that shows how our age is defined by radical and restrictive processes of social aestheticisation. As such it will be a valuable contribution to those working across disciplines, from cultural and social theory to art history and aesthetics"<br/>
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"Be creative! Contemporary society has seen an unprecedented rise in both the demand and desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal model for culture. More than that, it has become an imperative. In this new book, cultural sociologist Andreas Reckwitz investigates how the ideal of creativity has grown into a major social force, from the art of the avant-garde and postmodernism to the" ?creative industries?" and the innovation economy, the psychology of creativity and self-growth, the media representation of creative stars and the urban design of" ?creative cities?". Where creativity is often assumed to be a force for good, Reckwitz looks critically at how this imperative has developed from the 1970s to the present day, seeing it not as emancipatory, but rather as a very specific social and cultural phenomenon. Though we may well perceive creativity as the realisation of some natural and innate potential within us, it is far more a product of our surroundings, an attribute we find ourselves systematically admonished to develop and one which we fervently and compulsively desire to possess. The Invention of Creativity is a bold and refreshing counter to conventional wisdom that shows how our age is defined by radical and restrictive processes of social aestheticisation. As such it will be a valuable contribution to those working across disciplines, from cultural and social theory to art history and aesthetics"<br/>
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The invention of creativity, modern society and the culture of the new
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The invention of creativity : modern society and the culture of the new
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2017
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Sélection : Esba-2022-08-25

David Lynch et les arts
Livres empruntables | Association Ligeia | Numéro spécial de : Ligeia : dossiers sur l'art, ISSN 0989-6023, (2018) no 165-168
, 165-168
Ligeia (Paris) , Tome 165-168

La mer autour de nous
Carson, Rachel Louise (1907-1964). Auteur | Documentaires Adultes | Wildproject. Marseille | 2019
Une synthèse sur le monde marin et son écosystème, la navigation ou encore les marées, publiée à l'origine en 1951 par la biologiste américaine. Celle-ci compose une fresque des origines des océans et de la vie, avant de dresser u...

Laure Prouvost = Laure Prouvost : deep see bl...
Biennale de Venise. 58, 2019. Auteur | Documentaires Adultes | Flammarion. Paris | 2019
A l'occasion de son projet pour la Biennale de Venise 2019, une exploration de la pratique artistique de la plasticienne française, conçue comme un voyage à travers 18 villes, chacune représentée par une oeuvre (image, sculpture, ...

Pierrette Bloch : Textes critiques et entreti...
Bloch, Pierrette (1928-2017) | Consultable sur demande | Méridianes. Montpellier | 2021
L'aventure artistique de Pierrette Bloch a fait l'objet de nombreuses publications, éditées par les galeries ou les musées, depuis ses premières expositions à Paris ou New York dans les années 1950 jusqu'à la dernière en 2017.

The invention of creativity : modern society ...
Reckwitz, Andreas (1970-....). Auteur | Livres empruntables | Polity. Cambridge, Malden, Mass. | 2017
"Be creative! Contemporary society has seen an unprecedented rise in both the demand and desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal...

Pourquoi n'y a-t-il pas eu de grands artistes...
Nochlin, Linda (1931-2017). Auteur | Romans adultes | Thames & Hudson. Londres | 2021 50ème anniversaire de l'édition originale, publiée chez Thames & Hudson, Londres.
Plutôt que de s'interroger sur le manque de femmes parmi les grands artistes, l'auteure remet en question la notion de grandeur et critique le point de vue masculin blanc qui imprègne la pensée de l'art à travers l'histoire. Sa ré...

Negative space : trajectories of sculpture in...
Livres non empruntables | ZKM / Center for Art and Media
This monumental, richly illustrated volume from ZKM Karlsruhe approaches modern sculpture from a spatial perspective, interpreting it though contour, emptiness, and levitation rather than the conventional categories of unbroken vo...

Katinka Bock, Tomorrow's sculpture : [exhibit...
Livres empruntables | Roma publications
Dans le prolongement des trois expositions présentées par Katinka Bock en 2018 au Kunst Museum Winterthur, au Mudam Luxembourg et à l'Institut d'art contemporain, Villeurbanne/Rhône-Alpes, Roma Publications s'associe à ces trois i...

Toyen : l'écart absolu
Documentaires Adultes | Paris-Musées. Paris | 2022
Première rétrospective parisienne de l'artiste surréaliste, née Marie Cerminova, présentant son oeuvre, ses peintures, ses dessins, son travail d'illustration, ses collaborations, ainsi que ses oeuvres érotiques et oniriques. Pers...

Giorgio Griffa : [exposition tenue à Paris, C...
Macel, Christine (1969-....). Directeur de publication | Livres empruntables | Éditions du Centre Pompidou | Publié à l'occasion de l'exposition qui s'est tenue à Paris, Centre national d'art et de culture Georges Pompidou, du 2 mars au 27 juin 2022

Qui parle ? : pour les non-humains
Imhoff, Aliocha (1980-....). Auteur | Livres empruntables | Presse Universitaire de France
Dans les années 1970, lorsqu'on demandait « qui parle ? », il s'agissait de questionner les sciences et leurs procédures, la légitimité des autorités, le fondement des identités, les institutions représentatives et jusqu'à l'histo...

Écrire, écrire, écrire
Bonn, Sally (1970-....). Auteur | Livres empruntables | Arléa
Où commence l'écriture ? Dans le corps ou dans la tête ? Dans la main crispée sur le stylo de l'enfant à sa table ou dans la mémoire de l'adulte ? Il faut peut-être voir ailleurs. Retrouver les traces. S'amuser de graffs dans la r...

L'art à l'ère de la globalisation : modernité...
Macel, Christine (1969-....). Directeur de publication | Livres empruntables | Éditions du Centre Pompidou
Conçue en collaboration entre le pôle de recherche spécifique rattaché à la bibliothèque Kandinsky, au sein du Musée national d'art moderne et les éditions du Centre Pompidou, la collection « Recherches » valorise les études criti...

The Book of Veles
Bendiksen, Jonas (198.-....). Auteur | Livres empruntables | Gost books
La ville provinciale de Veles en Macédoine du Nord s'est placée sur la carte du monde en tant qu'épicentre de la production de fausses informations lors de l'élection présidentielle américaine de 2016. Les jeunes locaux férus de t...
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