Chargement en cours...
Black and blur
Edité par Duke University Press - 2017
Série :
Consent not to be a single being , Tome 1
Collection : Consent not to be a single being ; , [1]
- Type de document
- Livres empruntables
- Langue
- anglais
- Descr. physique
- 1 vol. (xvii-339 p.) ; 24 cm
- Sujets
- Note bibliographiques
- Bibliogr. p. [317]-328. Notes bibliogr. Index
- Résumé
- La 4e de couverture indique : "In Black and Blur--the first volume in his sublime and compelling trilogy consent not to be a single being--Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and Jose Esteban Munoz and musicians and artists including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing."
- Lieux
-
_version_ :
1829680201249849344
-
any_integration :
La 4e de couverture indique : "In Black and Blur--the first volume in his sublime and compelling trilogy consent not to be a single being--Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and Jose Esteban Munoz and musicians and artists including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing."
ESB14686
-
Audience :
Adultes
-
Audience_exact :
Adultes
-
Audience_idx :
Adultes
-
Author :
Moten, Fred (1962-....). Auteur
-
Author_exact :
Moten, Fred
-
Author_id_exact :
277:616810
-
Author_idx :
Moten, Fred
-
Author_sort :
Moten, Fred
-
Author_xml :
-
<items>
-
<item type="link">
-
<query>
- <index> Authority_id_idx </index>
- <searchTerm> 277:616810 </searchTerm>
- <queryLabel> Moten, Fred (1962-....). Auteur </queryLabel>
- <linkLabel> Moten, Fred (1962-....). Auteur </linkLabel>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="link">
-
AuthorContributor_exact :
Moten, Fred
-
Authority_id_idx :
911:145021
911:204348
911:204349
911:204350
911:204351
911:204352
907:1568
277:616810
-
CallNumber :
LIT MOTE
-
CallNumber_exact :
LIT MOTE
-
CallNumber_idx :
LIT MOTE
-
CAMO_barre_code :
ESB14686
-
CAMO_barre_code_idx :
ESB14686
-
CatalogingStamp :
Abes (FR) - 20190521
NcD/DLC
NDD
DLC
-
ContentDescription :
La ressource est également disponible en version électronique<br/>
La 4e de couverture indique : "In Black and Blur--the first volume in his sublime and compelling trilogy consent not to be a single being--Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and Jose Esteban Munoz and musicians and artists including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing."<br/>
-
ContentDescription_idx :
La ressource est également disponible en version électronique<br/>
La 4e de couverture indique : "In Black and Blur--the first volume in his sublime and compelling trilogy consent not to be a single being--Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and Jose Esteban Munoz and musicians and artists including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing."<br/>
-
CrossCoresIdentifier_idx :
CAMO_1212034
-
date :
2017
-
DateOfIndexation_idx :
2025-04-17T21:43:34
-
DateOfInsertion :
27/03/2019
-
DateOfInsertion_idx :
20190327
-
DateOfInsertion_sort :
20190327
-
Dewey676a :
305.896/073
-
Dewey676a_idx :
305.896/073
-
DocIdentificationNumber_idx :
978-0-8223-7006-2
978-0-8223-7016-1
9780822370161
-
DsiFilter_iso_date :
27/03/2019 23:23:59
-
Ean :
9780822370161
-
Ean_idx :
9780822370161
-
Fournisseur :
Abes
NcD/DLC
NDD
DLC
-
Fournisseur_exact :
Abes
NcD/DLC
NDD
DLC
-
Fournisseur_idx :
Abes
NcD/DLC
NDD
DLC
-
Funds :
LIV
-
Funds_exact :
LIV
-
Funds_idx :
LIV
-
GroupingField :
9780822370161
-
HasHolding :
1
-
HierarchicalFormDescription_exact :
1/Livres empruntables/
2/Livres empruntables/Livre empruntable//
-
holding :
Oui
-
holding_exact :
Oui
-
holding_idx :
1
-
id :
CAMO_1212034
-
Identifier :
1212034
-
Identifier_idx :
1212034
-
IndexationCulture_exact :
fr-FR
-
IsAuthority :
0
-
Isbn :
978-0-8223-7006-2
978-0-8223-7016-1
-
Isbn_idx :
978-0-8223-7006-2
978-0-8223-7016-1
-
Isbn10 :
0822370069
-
ItemArchived :
Vivant
-
ItemArchived_exact :
Vivant
-
ItemArchived_idx :
0
-
JobToken_exact :
20250417192113
-
Language :
anglais
-
Language_exact :
anglais
-
Language_idx :
eng
anglais
-
LinkLienRef :
A pour autre édition sur un support différent : Black and blur
-
LinkLienRef_idx :
Black and blur
-
LinkLienRef_xml :
-
<items>
-
<item type="link">
-
<query>
- <index> LinkLienRef_idx </index>
- <searchTerm> Black and blur </searchTerm>
- <queryLabelResource arg0="Black and blur"> Portal|LinkToRelated_Case_038 </queryLabelResource>
- <linkLabelResource arg0="Black and blur"> Portal|LinkToRelated_Case_038 </linkLabelResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="link">
-
NativeDataSourceId :
1
-
natureOuvrage :
Autre
-
natureOuvrage_exact :
Autre
-
natureOuvrage_idx :
Autre
-
natureOuvrageCode_idx :
LIV
-
notebibliodansressourcep320a :
Bibliogr. p. [317]-328. Notes bibliogr. Index
-
notebibliodansressourcep320a_idx :
Bibliogr. p. [317]-328. Notes bibliogr. Index
-
notereliuredispp310a :
La ressource est également disponible en version électronique
-
notereliuredispp310a_idx :
La ressource est également disponible en version électronique
-
NoteResumeOuExtrait330 :
La 4e de couverture indique : "In Black and Blur--the first volume in his sublime and compelling trilogy consent not to be a single being--Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and Jose Esteban Munoz and musicians and artists including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing."
-
NoteResumeOuExtrait330_idx :
La 4e de couverture indique : "In Black and Blur--the first volume in his sublime and compelling trilogy consent not to be a single being--Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and Jose Esteban Munoz and musicians and artists including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing."
-
of_identifier :
isbn:978-0-8223-7006-2
- openfind_xml :
-
particulariteEX :
La ressource est également disponible en version électronique
-
particulariteEX_idx :
La ressource est également disponible en version électronique
-
PhysicalDescription :
1 vol. (xvii-339 p.) ; 24 cm
-
prymaryDocCamo_exact :
0
-
prymaryDocCamo_idx :
0
-
Publisher :
Duke University Press
-
Publisher_exact :
Duke University Press
-
Publisher_idx :
Duke University Press
-
RawRecord_xml :
-
<collection indexation-culture="fr-FR">
-
<record>
- <leader> 04534cam0 2200853 4500 </leader>
- <controlfield tag="001"> 1/1212034 </controlfield>
- <controlfield tag="005"> 20190521181728.000 </controlfield>
-
<datafield tag="010" ind1=" " ind2=" ">
- <subfield code="a"> 978-0-8223-7006-2 </subfield>
- <subfield code="b"> rel. </subfield>
- <subfield code="z"> 9780822370062 </subfield>
-
<datafield tag="010" ind1=" " ind2=" ">
- <subfield code="a"> 978-0-8223-7016-1 </subfield>
- <subfield code="b"> br. </subfield>
- <subfield code="z"> 9780822370161 </subfield>
-
<datafield tag="020" ind1=" " ind2=" ">
- <subfield code="a"> US </subfield>
- <subfield code="b"> 2017024176 </subfield>
-
<datafield tag="020" ind1=" " ind2=" ">
- <subfield code="a"> GB </subfield>
- <subfield code="b"> B7M4395 </subfield>
-
<datafield tag="033" ind1=" " ind2="#">
- <subfield code="a"> 234832029// </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="a"> (OCoLC)1090716808 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="a"> ocn973795461 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm972772261 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm972828658 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm972974153 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm973001113 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm973087134 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm973140343 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm973281232 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm973308920 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm973313707 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm973368979 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm973382924 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm973502515 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm973503100 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm973753992 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm973758056 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="z"> ocm973808066 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="a"> UKMGB018615751 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="a"> 451364 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="a"> ALP000279245 </subfield>
-
<datafield tag="035" ind1=" " ind2=" ">
- <subfield code="a"> 234832029 </subfield>
-
<datafield tag="073" ind1=" " ind2="1">
- <subfield code="a"> 9780822370161 </subfield>
- <subfield code="b"> br. </subfield>
-
<datafield tag="100" ind1=" " ind2=" ">
- <subfield code="a"> 20190327h20172017k y0frey50 ba </subfield>
-
<datafield tag="101" ind1="0" ind2=" ">
- <subfield code="a"> eng </subfield>
-
<datafield tag="102" ind1=" " ind2=" ">
- <subfield code="a"> US </subfield>
- <subfield code="a"> GB </subfield>
-
<datafield tag="105" ind1=" " ind2=" ">
- <subfield code="a"> y a 001yy </subfield>
-
<datafield tag="106" ind1=" " ind2=" ">
- <subfield code="a"> r </subfield>
-
<datafield tag="181" ind1=" " ind2=" ">
- <subfield code="6"> z01 </subfield>
- <subfield code="c"> txt </subfield>
- <subfield code="2"> rdacontent </subfield>
-
<datafield tag="181" ind1=" " ind2="1">
- <subfield code="6"> z01 </subfield>
- <subfield code="a"> i# </subfield>
- <subfield code="b"> xxxe## </subfield>
-
<datafield tag="182" ind1=" " ind2=" ">
- <subfield code="6"> z01 </subfield>
- <subfield code="c"> n </subfield>
- <subfield code="2"> rdamedia </subfield>
-
<datafield tag="182" ind1=" " ind2="1">
- <subfield code="6"> z01 </subfield>
- <subfield code="a"> n </subfield>
-
<datafield tag="183" ind1=" " ind2="1">
- <subfield code="6"> z01 </subfield>
- <subfield code="a"> nga </subfield>
- <subfield code="2"> RDAfrCarrier </subfield>
-
<datafield tag="200" ind1="1" ind2=" ">
- <subfield code="a"> Black and blur </subfield>
- <subfield code="f"> Fred Moten </subfield>
-
<datafield tag="214" ind1=" " ind2="0">
- <subfield code="a"> Durham [C.] </subfield>
- <subfield code="a"> London </subfield>
- <subfield code="c"> Duke University Press </subfield>
- <subfield code="d"> 2017 </subfield>
-
<datafield tag="215" ind1=" " ind2=" ">
- <subfield code="a"> 1 vol. (xvii-339 p.) </subfield>
- <subfield code="d"> 24 cm </subfield>
-
<datafield tag="225" ind1="1" ind2=" ">
- <subfield code="a"> Consent not to be a single being </subfield>
- <subfield code="v"> [1] </subfield>
-
<datafield tag="310" ind1=" " ind2=" ">
- <subfield code="a"> La ressource est également disponible en version électronique </subfield>
-
<datafield tag="320" ind1=" " ind2=" ">
- <subfield code="a"> Bibliogr. p. [317]-328. Notes bibliogr. Index </subfield>
-
<datafield tag="330" ind1=" " ind2=" ">
- <subfield code="a"> La 4e de couverture indique : "In Black and Blur--the first volume in his sublime and compelling trilogy consent not to be a single being--Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and Jose Esteban Munoz and musicians and artists including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing." </subfield>
-
<datafield tag="359" ind1="2" ind2=" ">
- <subfield code="b"> Not in between </subfield>
- <subfield code="b"> Interpolation and interpellation </subfield>
- <subfield code="b"> Magic of objects </subfield>
- <subfield code="b"> Sonata quasi una fantasia </subfield>
- <subfield code="b"> Taste dissonance flavor escape (Preface to a Solo by Miles Davis)-- The new international of rhythmic feel/ings </subfield>
- <subfield code="b"> The phonographic mise-en scène </subfield>
- <subfield code="b"> Liner notes for lick piece </subfield>
- <subfield code="b"> Rough Americana </subfield>
- <subfield code="b"> Nothing, everything </subfield>
- <subfield code="b"> Nowhere, everywhere </subfield>
- <subfield code="b"> Nobody, everybody </subfield>
- <subfield code="b"> Remind </subfield>
- <subfield code="b"> Amuse-bouche </subfield>
- <subfield code="b"> Collective head </subfield>
- <subfield code="b"> Cornered, taken, made to leave </subfield>
- <subfield code="b"> Enjoy all monsters </subfield>
- <subfield code="b"> Some extrasubtitles for wildness </subfield>
- <subfield code="b"> To feel, to feel more, to feel more than </subfield>
- <subfield code="b"> Irruptions and Incoherences for Jimmie Durham </subfield>
- <subfield code="b"> Black and blue on white. In and And in space </subfield>
- <subfield code="b"> Blue vespers </subfield>
- <subfield code="b"> The blur and breathe books </subfield>
- <subfield code="b"> Entanglement and virtuosity </subfield>
- <subfield code="b"> Bobby Lee's hands </subfield>
-
<datafield tag="452" ind1=" " ind2="|">
- <subfield code="t"> Black and blur </subfield>
- <subfield code="d"> 2017 </subfield>
- <subfield code="y"> 9780822372226 (ebook) </subfield>
-
<datafield tag="461" ind1=" " ind2="|">
- <subfield code="t"> Consent not to be a single being </subfield>
- <subfield code="v"> 1 </subfield>
-
<datafield tag="606" ind1=" " ind2=" ">
- <subfield code="1"> 027727548 </subfield>
- <subfield code="="> 911:145021 </subfield>
- <subfield code="a"> Noirs </subfield>
- <subfield code="x"> Identité collective </subfield>
- <subfield code="2"> rameau </subfield>
-
<datafield tag="606" ind1=" " ind2=" ">
- <subfield code="1"> 030760755 </subfield>
- <subfield code="="> 911:204348 </subfield>
- <subfield code="a"> Noirs américains </subfield>
- <subfield code="x"> Identité collective </subfield>
- <subfield code="2"> rameau </subfield>
-
<datafield tag="606" ind1=" " ind2=" ">
- <subfield code="1"> 077094654 </subfield>
- <subfield code="="> 911:204349 </subfield>
- <subfield code="a"> Africains </subfield>
- <subfield code="y"> À l'étranger </subfield>
- <subfield code="2"> rameau </subfield>
-
<datafield tag="606" ind1=" " ind2=" ">
- <subfield code="="> 911:204350 </subfield>
- <subfield code="a"> Blacks </subfield>
- <subfield code="x"> Race identity </subfield>
- <subfield code="y"> United States </subfield>
- <subfield code="2"> lc </subfield>
-
<datafield tag="606" ind1=" " ind2=" ">
- <subfield code="="> 911:204351 </subfield>
- <subfield code="a"> African Americans </subfield>
- <subfield code="x"> Race identity </subfield>
- <subfield code="2"> lc </subfield>
-
<datafield tag="606" ind1=" " ind2=" ">
- <subfield code="="> 911:204352 </subfield>
- <subfield code="a"> African diaspora </subfield>
- <subfield code="2"> lc </subfield>
-
<datafield tag="607" ind1=" " ind2=" ">
- <subfield code="="> 907:1568 </subfield>
- <subfield code="a"> United States </subfield>
- <subfield code="2"> fast </subfield>
-
<datafield tag="607" ind1=" " ind2=" ">
- <subfield code="="> 907:1568 </subfield>
- <subfield code="a"> United States </subfield>
- <subfield code="2"> gtt </subfield>
-
<datafield tag="660" ind1=" " ind2=" ">
- <subfield code="a"> n-us--- </subfield>
-
<datafield tag="676" ind1=" " ind2=" ">
- <subfield code="a"> 305.896/073 </subfield>
- <subfield code="v"> 23 </subfield>
-
<datafield tag="680" ind1=" " ind2=" ">
- <subfield code="a"> E185.625 </subfield>
- <subfield code="b"> .M684 2017 </subfield>
-
<datafield tag="700" ind1=" " ind2="1">
- <subfield code="1"> 089816358 </subfield>
- <subfield code="="> 277:616810 </subfield>
- <subfield code="a"> Moten </subfield>
- <subfield code="b"> Fred </subfield>
- <subfield code="f"> 1962-.... </subfield>
- <subfield code="4"> 070 </subfield>
-
<datafield tag="801" ind1=" " ind2="3">
- <subfield code="a"> FR </subfield>
- <subfield code="b"> Abes </subfield>
- <subfield code="c"> 20190521 </subfield>
- <subfield code="g"> AFNOR </subfield>
-
<datafield tag="801" ind1=" " ind2="0">
- <subfield code="b"> NcD/DLC </subfield>
- <subfield code="g"> AACR2 </subfield>
-
<datafield tag="801" ind1=" " ind2="1">
- <subfield code="b"> NDD </subfield>
- <subfield code="g"> AACR2 </subfield>
-
<datafield tag="801" ind1=" " ind2="2">
- <subfield code="b"> DLC </subfield>
- <subfield code="g"> AACR2 </subfield>
-
<datafield tag="990" ind1=" " ind2=" ">
- <subfield code="a"> 1 </subfield>
- <subfield code="b"> 1 </subfield>
-
<datafield tag="991" ind1=" " ind2=" ">
- <subfield code="5"> 751132304:632939486 </subfield>
- <subfield code="a"> M2019-04 </subfield>
- <subfield code="b"> Lot A </subfield>
-
<datafield tag="995" ind1=" " ind2=" ">
- <subfield code="a"> ESB </subfield>
- <subfield code="b"> ESB </subfield>
- <subfield code="c"> BIBAL </subfield>
- <subfield code="d"> 02/06/2022 </subfield>
- <subfield code="h"> LIT MOTE </subfield>
- <subfield code="p"> ESB14686 </subfield>
- <subfield code="t"> LIV </subfield>
- <subfield code="v"> 0 </subfield>
- <subfield code="A"> 0 </subfield>
- <subfield code="E"> 0 </subfield>
- <subfield code="F"> 0 </subfield>
- <subfield code="H"> 1 </subfield>
- <subfield code="J"> 0 </subfield>
-
<record>
-
resume_camo :
La 4e de couverture indique : "In Black and Blur--the first volume in his sublime and compelling trilogy consent not to be a single being--Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and Jose Esteban Munoz and musicians and artists including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing."
-
resume_camo_idx :
La 4e de couverture indique : "In Black and Blur--the first volume in his sublime and compelling trilogy consent not to be a single being--Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and Jose Esteban Munoz and musicians and artists including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing."
-
RightsContract :
Accès libre
-
RightsContract_exact :
ERMES_DOCUMENT_CONTRACT_LIBRE
-
RightsContract_idx :
ERMES_DOCUMENT_CONTRACT_LIBRE
-
sara_author :
Fred Moten
-
sara_author_reverse :
Moten Fred
-
sara_format :
marc:am
-
sara_isbn :
978-0-8223-7006-2
-
sara_title :
Black and blur
-
SeriesTitle_exact :
Consent not to be a single being
-
SeriesTitle_idx :
Consent not to be a single being, [1]
-
SeriesTitle_xml :
-
<items>
-
<item type="link">
-
<query>
- <index> SeriesTitle_idx </index>
- <searchTerm> Consent not to be a single being </searchTerm>
- <queryLabelResource> Portal|SourceLinkLabel_Collection </queryLabelResource>
- <linkLabel> Consent not to be a single being </linkLabel>
- <linkClass> tarzan </linkClass>
-
<query>
- <item type="text"> , [1] </item>
-
<item type="link">
-
Source_idx :
Consent not to be a single being
-
Source_xml :
-
<items>
-
<item type="link">
-
<query>
- <index> Source_idx </index>
- <searchTerm> Consent not to be a single being </searchTerm>
- <queryLabelResource> Consent not to be a single being </queryLabelResource>
- <linkLabel> Consent not to be a single being </linkLabel>
- <linkClass> btn btn-info tarzan </linkClass>
-
<query>
-
<item type="link">
-
SpecializedLibrary :
ESB
-
SpecializedLibrary_exact :
ESB
-
SpecializedLibrary_idx :
ESB
-
Subject_exact :
Noirs -- Identité collective
Noirs américains -- Identité collective
Africains -- À l'étranger
Blacks -- Race identity -- United States
African Americans -- Race identity
African diaspora
United States
-
Subject_idx :
Noirs -- Identité collective
Noirs américains -- Identité collective
Africains -- À l'étranger
Blacks -- Race identity -- United States
African Americans -- Race identity
African diaspora
United States
-
SubjectLocation :
United States
-
SubjectLocation_exact :
United States
-
SubjectLocation_idx :
United States
-
SubjectLocation_xml :
-
<items>
-
<item type="link">
-
<query>
- <index> SubjectLocation_idx </index>
- <searchTerm> "United States" </searchTerm>
- <queryLabel> United States </queryLabel>
- <linkLabel> United States </linkLabel>
- <linkTitleResource p0="United States"> Portal|LinkToSubjectSubdivisions </linkTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="glyph-link">
-
<query>
- <index> SubjectLocation_idx </index>
- <searchTerm> "United States" </searchTerm>
- <queryLabel> United States </queryLabel>
- <glyphClass> glyphicon glyphicon-search light-bold </glyphClass>
- <glyphTitleResource p0="United States"> Portal|LinkToSubjectSubdivisions </glyphTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="link">
-
SubjectSuggest_exact :
Noirs
United States
-
SubjectTopic :
Noirs -- Identité collective
Noirs américains -- Identité collective
Africains -- À l'étranger
Blacks -- Race identity -- United States
African Americans -- Race identity
African diaspora
United States
-
SubjectTopic_exact :
Noirs -- Identité collective
Noirs américains -- Identité collective
Africains -- À l'étranger
Blacks -- Race identity -- United States
African Americans -- Race identity
African diaspora
United States
-
SubjectTopic_idx :
Noirs -- Identité collective
Noirs américains -- Identité collective
Africains -- À l'étranger
Blacks -- Race identity -- United States
African Americans -- Race identity
African diaspora
United States
-
SubjectTopic_xml :
-
<items>
-
<item type="link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "Noirs -- Identité collective" </searchTerm>
- <queryLabel> Noirs -- Identité collective </queryLabel>
- <linkLabel> Noirs -- Identité collective </linkLabel>
- <linkTitleResource p0="Noirs -- Identité collective"> Portal|LinkToSubjectSubdivisions </linkTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="glyph-link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "Noirs -- Identité collective" </searchTerm>
- <queryLabel> Noirs -- Identité collective </queryLabel>
- <glyphClass> glyphicon glyphicon-search light-bold </glyphClass>
- <glyphTitleResource p0="Noirs -- Identité collective"> Portal|LinkToSubjectSubdivisions </glyphTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="link">
-
<items>
-
<item type="link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "Noirs américains -- Identité collective" </searchTerm>
- <queryLabel> Noirs américains -- Identité collective </queryLabel>
- <linkLabel> Noirs américains -- Identité collective </linkLabel>
- <linkTitleResource p0="Noirs américains -- Identité collective"> Portal|LinkToSubjectSubdivisions </linkTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="glyph-link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "Noirs américains -- Identité collective" </searchTerm>
- <queryLabel> Noirs américains -- Identité collective </queryLabel>
- <glyphClass> glyphicon glyphicon-search light-bold </glyphClass>
- <glyphTitleResource p0="Noirs américains -- Identité collective"> Portal|LinkToSubjectSubdivisions </glyphTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="link">
-
<items>
-
<item type="link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "Africains -- À l'étranger" </searchTerm>
- <queryLabel> Africains -- À l'étranger </queryLabel>
- <linkLabel> Africains -- À l'étranger </linkLabel>
- <linkTitleResource p0="Africains -- À l'étranger"> Portal|LinkToSubjectSubdivisions </linkTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="glyph-link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "Africains -- À l'étranger" </searchTerm>
- <queryLabel> Africains -- À l'étranger </queryLabel>
- <glyphClass> glyphicon glyphicon-search light-bold </glyphClass>
- <glyphTitleResource p0="Africains -- À l'étranger"> Portal|LinkToSubjectSubdivisions </glyphTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="link">
-
<items>
-
<item type="link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "Blacks -- Race identity -- United States" </searchTerm>
- <queryLabel> Blacks -- Race identity -- United States </queryLabel>
- <linkLabel> Blacks -- Race identity -- United States </linkLabel>
- <linkTitleResource p0="Blacks -- Race identity -- United States"> Portal|LinkToSubjectSubdivisions </linkTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="glyph-link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "Blacks -- Race identity -- United States" </searchTerm>
- <queryLabel> Blacks -- Race identity -- United States </queryLabel>
- <glyphClass> glyphicon glyphicon-search light-bold </glyphClass>
- <glyphTitleResource p0="Blacks -- Race identity -- United States"> Portal|LinkToSubjectSubdivisions </glyphTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="link">
-
<items>
-
<item type="link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "African Americans -- Race identity" </searchTerm>
- <queryLabel> African Americans -- Race identity </queryLabel>
- <linkLabel> African Americans -- Race identity </linkLabel>
- <linkTitleResource p0="African Americans -- Race identity"> Portal|LinkToSubjectSubdivisions </linkTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="glyph-link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "African Americans -- Race identity" </searchTerm>
- <queryLabel> African Americans -- Race identity </queryLabel>
- <glyphClass> glyphicon glyphicon-search light-bold </glyphClass>
- <glyphTitleResource p0="African Americans -- Race identity"> Portal|LinkToSubjectSubdivisions </glyphTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="link">
-
<items>
-
<item type="link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "African diaspora" </searchTerm>
- <queryLabel> African diaspora </queryLabel>
- <linkLabel> African diaspora </linkLabel>
- <linkTitleResource p0="African diaspora"> Portal|LinkToSubjectSubdivisions </linkTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="glyph-link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "African diaspora" </searchTerm>
- <queryLabel> African diaspora </queryLabel>
- <glyphClass> glyphicon glyphicon-search light-bold </glyphClass>
- <glyphTitleResource p0="African diaspora"> Portal|LinkToSubjectSubdivisions </glyphTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="link">
-
<items>
-
<item type="link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "United States" </searchTerm>
- <queryLabel> United States </queryLabel>
- <linkLabel> United States </linkLabel>
- <linkTitleResource p0="United States"> Portal|LinkToSubjectSubdivisions </linkTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="glyph-link">
-
<query>
- <index> SubjectTopic_idx </index>
- <searchTerm> "United States" </searchTerm>
- <queryLabel> United States </queryLabel>
- <glyphClass> glyphicon glyphicon-search light-bold </glyphClass>
- <glyphTitleResource p0="United States"> Portal|LinkToSubjectSubdivisions </glyphTitleResource>
- <linkClass> tarzan </linkClass>
-
<query>
-
<item type="link">
-
SubjectTopicSuggest_exact :
Noirs
United States
-
sys_base :
CAMO
-
sys_support :
MONO
-
target_exact :
CAMO
-
ThumbLarge :
https://covers.syracuse.cloud/Cover//MONO/S3bWi0-nRnrcJw1JyREWMQ2/9780822370062/LARGE?fallback=https%3a%2f%2fmediatheques-test.montpellier3m.fr%2fui%2fskins%2fCAMO%2fportal%2ffront%2fimages%2fGeneral%2fDocType%2fMONO_LARGE.png
-
ThumbMedium :
https://covers.syracuse.cloud/Cover//MONO/S3bWi0-nRnrcJw1JyREWMQ2/9780822370062/MEDIUM?fallback=https%3a%2f%2fmediatheques-test.montpellier3m.fr%2fui%2fskins%2fCAMO%2fportal%2ffront%2fimages%2fGeneral%2fDocType%2fMONO_MEDIUM.png
-
ThumbnailIdentifier :
9780822370062
-
ThumbSmall :
https://covers.syracuse.cloud/Cover//MONO/S3bWi0-nRnrcJw1JyREWMQ2/9780822370062/SMALL?fallback=https%3a%2f%2fmediatheques-test.montpellier3m.fr%2fui%2fskins%2fCAMO%2fportal%2ffront%2fimages%2fGeneral%2fDocType%2fMONO_SMALL.png
-
timestamp :
17/04/2025 21:43:34
-
Title :
Black and blur
-
Title_idx :
Black and blur
Consent not to be a single being, 1
-
Title_sort :
Black and blur
-
TwinNoteKey_idx :
9780822370062
-
TwinNoteKeyFull_xml :
-
<item>
- <identifier> 1212034 </identifier>
- <sysbase> CAMO </sysbase>
- <twinkey> 9780822370062 </twinkey>
- <typeofdocument> MONO </typeofdocument>
- <typedoclabel> Livres empruntables </typedoclabel>
-
TypeOfDocument :
Livres empruntables
-
TypeOfDocument_exact :
Livres empruntables
-
TypeOfDocument_idx :
MONO
-
typePublic :
7k
-
Volume :
1
-
VolumeNumber_sort :
00010000
-
YearOfPublication :
2017
-
YearOfPublication_exact :
2017
-
YearOfPublication_idx :
2017
-
YearOfPublication_int :
2017
-
YearOfPublication_int_exact :
2017
-
YearOfPublication_int_sort :
2017
-
YearOfPublication_sort :
2017
-
YearOfPublicationGroup_exact :
0005
Information
Détail de l'auteur
Sélection : Esba-2022-08-25
David Lynch et les arts
Livres empruntables | Association Ligeia | Numéro spécial de : Ligeia : dossiers sur l'art, ISSN 0989-6023, (2018) no 165-168
, 165-168
Ligeia (Paris) , Tome 165-168
La mer autour de nous
Carson, Rachel Louise (1907-1964). Auteur | Documentaires Adultes | Wildproject. Marseille | 2019
Une synthèse sur le monde marin et son écosystème, la navigation ou encore les marées, publiée à l'origine en 1951 par la biologiste américaine. Celle-ci compose une fresque des origines des océans et de la vie, avant de dresser u...
Laure Prouvost = Laure Prouvost : deep see bl...
Biennale de Venise. 58, 2019. Auteur | Documentaires Adultes | Flammarion. Paris | 2019
A l'occasion de son projet pour la Biennale de Venise 2019, une exploration de la pratique artistique de la plasticienne française, conçue comme un voyage à travers 18 villes, chacune représentée par une oeuvre (image, sculpture, ...
Pierrette Bloch : Textes critiques et entreti...
Bloch, Pierrette (1928-2017) | Consultable sur demande | Méridianes. Montpellier | 2021
L'aventure artistique de Pierrette Bloch a fait l'objet de nombreuses publications, éditées par les galeries ou les musées, depuis ses premières expositions à Paris ou New York dans les années 1950 jusqu'à la dernière en 2017.
Sinister resonance : the mediumship of the li...
Toop, David (1949-....). Auteur | Livres empruntables | Continuum. New York | 2010
Notes bibliogr. Index
Serial girls : la fabrique en série du corps ...
Delvaux, Martine (1968-....). Auteur | Livres empruntables | Éditions Payot & Rivages
Bibliogr. et webliogr. p. 289-296
The invention of creativity : modern society ...
Reckwitz, Andreas (1970-....). Auteur | Livres empruntables | Polity. Cambridge, Malden, Mass. | 2017
"Be creative! Contemporary society has seen an unprecedented rise in both the demand and desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal...
Pourquoi n'y a-t-il pas eu de grands artistes...
Nochlin, Linda (1931-2017). Auteur | Romans adultes | Thames & Hudson. Londres | 2021 50ème anniversaire de l'édition originale, publiée chez Thames & Hudson, Londres.
Plutôt que de s'interroger sur le manque de femmes parmi les grands artistes, l'auteure remet en question la notion de grandeur et critique le point de vue masculin blanc qui imprègne la pensée de l'art à travers l'histoire. Sa ré...
Negative space : trajectories of sculpture in...
Livres non empruntables | ZKM / Center for Art and Media
This monumental, richly illustrated volume from ZKM Karlsruhe approaches modern sculpture from a spatial perspective, interpreting it though contour, emptiness, and levitation rather than the conventional categories of unbroken vo...
Katinka Bock, Tomorrow's sculpture : [exhibit...
Livres empruntables | Roma publications
Dans le prolongement des trois expositions présentées par Katinka Bock en 2018 au Kunst Museum Winterthur, au Mudam Luxembourg et à l'Institut d'art contemporain, Villeurbanne/Rhône-Alpes, Roma Publications s'associe à ces trois i...
Toyen : l'écart absolu
Documentaires Adultes | Paris-Musées. Paris | 2022
Première rétrospective parisienne de l'artiste surréaliste, née Marie Cerminova, présentant son oeuvre, ses peintures, ses dessins, son travail d'illustration, ses collaborations, ainsi que ses oeuvres érotiques et oniriques. Pers...
Printemps silencieux
Carson, Rachel (1907-1964). Auteur | Livres empruntables | Wildproject
Habiter l'exposition : l'artiste et la scénog...
Roman, Mathilde (1979-....). Auteur | Livres empruntables | Manuella éditions
Bibliogr. p. 264-268
Giorgio Griffa : [exposition tenue à Paris, C...
Macel, Christine (1969-....). Directeur de publication | Livres empruntables | Éditions du Centre Pompidou | Publié à l'occasion de l'exposition qui s'est tenue à Paris, Centre national d'art et de culture Georges Pompidou, du 2 mars au 27 juin 2022
Qui parle ? : pour les non-humains
Imhoff, Aliocha (1980-....). Auteur | Livres empruntables | Presse Universitaire de France
Dans les années 1970, lorsqu'on demandait « qui parle ? », il s'agissait de questionner les sciences et leurs procédures, la légitimité des autorités, le fondement des identités, les institutions représentatives et jusqu'à l'histo...
Écrire, écrire, écrire
Bonn, Sally (1970-....). Auteur | Livres empruntables | Arléa
Où commence l'écriture ? Dans le corps ou dans la tête ? Dans la main crispée sur le stylo de l'enfant à sa table ou dans la mémoire de l'adulte ? Il faut peut-être voir ailleurs. Retrouver les traces. S'amuser de graffs dans la r...
Assuming the ecosexual position the Earth as ...
Sprinkle, Annie (1954- ). Auteur | Livres empruntables | University of Minnesota Press. Minneapolis | 2021
"The story of the artistic collaboration between the originators of the ecosex movement, their diverse communities, and the Earth"
Miriam Cahn : Me as happening
Livres empruntables | Hatje Cantz. Ostfildern | 2022
Catalogue publié à l'occasion de l'exposition qui s'est tenue à la Kunsthal Charlottenborg, Copenhagen, 7 Octobre 2020-4 Avril 2021, et au Power Plant, 2 Octobre 2021-2 Janvier 2022
L'art à l'ère de la globalisation : modernité...
Macel, Christine (1969-....). Directeur de publication | Livres empruntables | Éditions du Centre Pompidou
Conçue en collaboration entre le pôle de recherche spécifique rattaché à la bibliothèque Kandinsky, au sein du Musée national d'art moderne et les éditions du Centre Pompidou, la collection « Recherches » valorise les études criti...
The Book of Veles
Bendiksen, Jonas (198.-....). Auteur | Livres empruntables | Gost books
La ville provinciale de Veles en Macédoine du Nord s'est placée sur la carte du monde en tant qu'épicentre de la production de fausses informations lors de l'élection présidentielle américaine de 2016. Les jeunes locaux férus de t...
Que pensez-vous de cette ressource ? Donnez-nous votre avis
Les champs indiqués par le symbole * sont obligatoires.
Export en cours
Modifier votre avis
Les champs indiqués par le symbole * sont obligatoires.
Mémoriser la recherche
La recherche sera conservée dans votre compte et pourra être rejouée à tout moment.
Votre alerte est enregistrée
Vous pouvez gérer vos alertes directement dans votre compte
M'abonner aux événements de la même catégorie
Abonnez-vous aux événements de la catégorie et recevez les nouveautés par email.